I am told, that high altitude
brewing is a struggle for the yeast, an anaerobic endurance race that only the
toughest can survive; without sufficient oxygen, yeast cannot turn the mash
into alcohol. Boiling points are lower,
so hops and malts must fight to steep into the water to produce something with
noticeable color and taste. I am not a
brewer, but enjoy tasting craft brews and the Pennsyltucky Bourbon Blend
Friendship Brew was the first beer I tasted at the conference. It did not disappoint. For me it had complex characteristics that
came across as laid-back and personable, which were very similar
characteristics of the conference. I happily
bellied-up to numerous conference sessions finding each presenter very
knowledgeable in their craft without the aid of high-tech gizmos, commonly used
at the HUGE breweries.
After getting some much needed rest, the first session I was able to attend was “Got Goop?” by Ken Follett & Glen James. These fella’s began the discussion asking us to think about the materials that we use in our trade and the processing of materials we used, from the raw material, to the finished / installed material, to the possible recycling of that material. I began to think about what raw Goop is needed in crafting beer and the upcoming hop harvest in certain areas of the country came to mind. If you haven’t tried a fresh hop, or wet hop ale, you should. It is brewed and infused with freshly picked hops that are not over 24 hours old from vine to kettle. Breweries located in close proximity of the hop farms have the advantage of going directly to the growers to get theirs, while those not so lucky will have to have them shipped overnight. This trick of using fresh hops captures the freshness of the flavor component, does not add bitterness, only aroma. As craftspeople, I wondered how many times we have we tried to keep out the bitterness on one of our projects wishing that only the good aroma filtered into the clients sniffing zone.
Having taught Documentation Classes
at several colleges the old fashion way – field measuring by hand and drawing with
ink on mylar sheets by hand – Battle Brown’s session “Let Your Building
Speak! Existing Conditions Documentation
in the 21st Century” was like having a beer truck, which is the
adult version of the ice cream truck, stop at my front door and say drink up
it’s a new century. He introduced
documentation technology that, for me as an Historical Architect, I believe,
should be utilized in every historic preservation project regardless if it is planning,
design, restoration, or ongoing maintenance.
Much like after tasting a few cold refreshing cold adult beverages, generally,
we speak louder, so too will your historic resources after imbibing in one of
many of the image rendering processes he offered during his session.
The Slate Roofing Demo and the
Opening Reception at the Landis Valley Village and Farm Museum (http://www.landisvalleymuseum.org/)
was a wonderful setting to showcase the talents of the slate roofer master
craftsmen. Did you all catch the little
trick of the trade – a double bend in the last fastener – used in securing the
last ridge slate? It is no longer a secret,
eh? Anyway, there was the other adult
beverage – wine – being showcased in the Yellow Barn by a local Winery,
yum. I was just overwhelmed at all the
potential projects within the boundaries of this living history museum, it made
my head spin, or was it just the keg of the Pennsyltucky Bourbon Blend
Friendship Brew that was freshly tapped?
Master Painter John Learnard is one craftsman I could really, really, really learn to like. During his first session of “Wood Graining Faux Finishes” demo he mentioned that he likes to use beer stains. Did I hear him correctly? Yes, “BEER” stains he said are about as close color match as you as you can get to the real thing (Goop?). I asked what the recipe for his walnut beer stain was and he indicated that it involves soaking walnut shells in a “good European heavy beer” for a few weeks. The heavy beer works the best because the yeast acts as a binder. John indicated that he likes to use Heineken. A few bottles are used for making the batch of stain and a few bottles for him. Finally, I finally crossed paths with somebody who truly understands the old world ways of Faux Finishes.
Todd File filled in for Jeff Price
at the “Historic Masonry Preservation – It’s not all Lime Putty” session. Reviewing some terminology Todd tossed out
like; clay, hot lime, lime putty, hydrated lime, hydraulic lime, quick lime,
natural lime putty, hot mix, blended hydraulic lime, mortar, feebly,
moderately, and eminently, etc was a good introduction for all in attendance. I stop to think, that if you put the word
‘hammered’ after the last three terms, it would be good descriptor for those
who belly up to the bar for a few or few too many.
The “Historic Window Preservation
Summit Report” by David Gibney and Jim Turner provided good briefing on the
status of the Summit and the measured facts/figures via the blower door tests are
forth coming and will solidify what we already know that restoring windows is a
better long-term approach than replacements in historic resources. Most importantly, they asked each and every
one of us to http://ptnresource.org/WPSC_forum/index.php
and please provide written comments that you have regarding window restoration,
agencies to contact, and other means not explored, etc. I will have a cold beer in hand when I’m
uploading my comments for sure.
“Putty Pushing for Smart People” by
Andy Roeper continued to add tricks of the trade to my quiver when it comes to
window restoration, thanks. In the
future, I will not have any uncertainties about rejecting window restoration work
that does not feed the sash, mintins, rabbits, and frames, “a drink” of 50/50
mixture of linseed oil and turpentine (a.k.a. beer for old wood), silicone
caulk as back bedding, and that evil Goop DAP 33.
Although I was not able to have met
every conferee, vendor, and demonstrator, I came close at Friday night’s dinner
and auction, by hawking raffle tickets for the Chinese Bag Raffle to many of
them. It was good getting to briefly know
most conferee's and trust I didn’t bore them with my alpine ski race coaching tall
tales.
Michael Kramer and Jill London’s
demo “Gilt Trip: Using Gold Leaf on Interior & Exterior Architectural
Elements” was truly enlightening. Just
like making beer, surface preparation is the key component of the gilding
process. When these two are engaged (fingers
crossed) to gild the State of Colorado Capital dome, I hope I can invite myself
into their workplace for a day or two.
Of course, I’ll buy them a beer or two after it is completed.
If you ever get to the high country
of Colorado, please consider contacting me.
First, I would love to continue learning more tricks of the trades and
would hope we could learn whilst sliding on the snow covered slopes. See, I will ski with anyone, any run, and any
time. On our ski adventure, I will take
you the fun parts of the mountain and at the end of the day you get to buy me a
beer in return for the adventure. Just
remember, many tourist in the crowd look sluggish, worn down and light headed
by the thin air (no solvents needed), and the vapor from the mash tank from 4 brewery’s
in a 30 mile radius of my home adds to the aroma. Even if we don’t get swap tricks of the trade
while skiing, I would love to have a local craft beer with you. So when any of you get up to Summit County,
CO, are in need a refreshing adult beverage, want to talk shop, please call me.
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